Antique Mirror Restoration
Ruth Tappin Restoration
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Restoration Work

 

Ruth TappinPlease  use the buttons on the left to browse through some of the different restoration work I have undertaken.

The photograph collection you will see includes a variety of my work covering in the main the last six years work and includes a nine month restoration project in a prestigious private house in Cheshire.

I became a professional Restorer and Gilder in 2000 following the completion of my Fine Art Degree.

ruth tappin               

Glossary

Ruth Tappin water gilding
Gesso - is a mixture of size and whiting, which is heated and six or more coats are painted onto the wooden frame. It is sanded to a smooth finish.
 
Bole - a mix of coloured clay and rabbit skin glue. This is also heated up and painted on top of the gesso. Yellow is the main colour however, depending upon when and where the mirror originates, the colours can vary. For example, in France they used a red/orange bole, this is usually found under the water gilded burnished highlights. In England we used pink, followed by black.
 
Whiting - powdered Gypsum, whiting is mixed with rabbit skin glue to make gesso.
 
Composition - (compo) there are many compo recipes each with the same three basic ingredients are glue, rosin and whiting, but other ingredients are added to improve on this. Compo when warm can be pushed into moulds or carved when cold. It sets hard over a few days but over the years it does dry out and small cracks appear.
Buy gilders compo at www.gilders-compo.co.uk
 
Oil Gilding - an oil size (or mordent) that is painted onto a prepared surface and after becoming tacky the gold is applied. This form of gilding cannot be burnished. Oil gilding can be used for both internal and external surfaces.
 
Water Gilding - (See photo above) a water and glue solution that is brushed onto the smoothed bole surface, the gold is laid on immediately with a gilder's tip. By using this technique, the gold then can then be burnished.
 
Gold Leaf - the gold is virtually pure; I use 23 and three quarter and 23 and a half carat.
 
Metal Leaf - also known as Dutch leaf. This is an alloy of base metals in many colours. Metal leaf will tarnish and eventually disintegrate completely.
 
Toning - a wide the application of pigment and/or other materials to a gilded surface. Toning can also include the removal of gold from a gilded surface. It literally means toning down the brilliance of a gilded surface. Toning is usually employed to replicate age.
 
Gilder's Pad - a wooden board covered with padding and leather. Light enough to be held in one hand for long periods.
 
Gilder's Knife - used to cut the gold leaf into smaller more manageable pieces.
 
Gilder's Tip - a wide flat brush made traditionally from badger hair; it is used for picking up the gold leaf.
 
Burnishing - rubbing the surface of the gold with an agate.